In the quiet ambiance of a lounge near London's prestigious dance company, Matthew Ball requests a mint tea. His carriage is effortlessly straight-backed, his arms defined beneath a plain white T-shirt. On stage, dancers can appear as powerful gods, yet often offstage they are small. Not so Ball, whose height is one reason for his demand for princely roles and partnering. Possessing fine traits and intense eyes, there's a hint of Robert Pattinson about him.
A Seamless Ascent to the Pinnacle
At 31, Ball is enjoying the peak of a career that has advanced smoothly. Growing up in Liverpool, he faced little teasing for his childhood passion in ballet. Entering the Royal Ballet School at 11, he moved straight into the troupe and was advanced each year, reaching the top rank of lead dancer in 2018. He has loved tackling substantial characters, particularly the emotional angst found in Kenneth MacMillan's works.
"Your breath is short, your legs get heavy, but it’s really a neural fatigue."
Ball's next featured appearance is as himself, in an "In Conversation" series aiming to offer behind-the-scenes perspectives into a performer's art. He will guide the audience through a part, demonstrating his mental workflow while execution. Yet in more comedic ballets, the test is significant. "A classic ballet is one of the most demanding technically," he states.
The Mental Struggle and After the Show Emotions
What about following a performance, when he has succeeded? "It feels pretty good," he admits. "But because I'm trying to extract all the emotion out of it, and get immersed in the character, quite often I do feel embarrassed later. After Mayerling I'm always like: God, what must people think?"
In person, Ball is reflective, polite, and quick to laugh at himself. Yet a choreographer previously remarked on a "sense of suffering in him." Is there? "I am very energetic usually, but I do have a melancholy streak," he reveals. "I somewhat enjoy pessimism sometimes. I've always felt that negativity has been an catalyst for good change."
Formative Drivers and Creative Influences
His tenacity originated in early setbacks. Not doing well in contests at school made him "driven!" It was motivation to demonstrate he could achieve. Reading the book *Mao's Last Dancer* was a "watershed" moment. "It flipped a switch, it made me go a bit fanatical," he recalls.
An upcoming endeavor is making his own dance works. For Ball, "organic movement has value." "Challenging the conventions is compelling, but just pretending that they’re not a thing any more – I don’t know how far you can go with that." He aims his work to be loaded with substance, drawing inspiration from books, compositions, and painting.
Intimate Performance and Personal Partnership
He additionally favors presenting dance in more intimate spaces. "It was just really thrilling," he says of a past show. "You’re so near to the audience. I felt as if they were thinking: 'That’s a person, and they’re sweating.'"
Ball has made pieces with his partner, fellow lead dancer Mayara Magri. The level of faith between them is evident. "We first practiced on a beach," he says of a daring lift. "It was like Dirty Dancing." They are not typically paired on stage at their home company, which is perhaps healthy. "We’re both quite determined people, so it’s not always hunky dory," he notes. "But I feel like we’re each other’s biggest cheerleader."
On Social Media and Bodily Perception
On Instagram, followers can see clips from his projects and photos that showcase a sculpted form. Does he mind that the engagement can be somewhat objectifying? Not really. "The body is just what we use, so I don’t feel very protective about it," he explains. He relates it to seeing Michelangelo’s David—an object that can be interpreted on various ways.
Ball describes his younger self as "desperate for success." Did it met his expectations? "I am conscious of how reality is a separate reality to the dreams you made as a young person," he reflects. He probably has about decade of performing left. "I suppose in the future, I want to be a bit more kind with myself."